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A tribute in form of an exhibition and a publication

Warren Niesłuchowski (1946–2019), one of the most charismatic and eccentric figures in the art world, was many things at once: an exhilarating conversationalist, a polymath, an attentive companion of artists, a polyglot translator, a networker without status, a walking bibliography, and a dandy, to name a few. And from 2003 till the end of his life, he had no home of his own, instead traveling from city to city to live as the guest of others, coming and going on his own inexplicable schedule. He lived—as he himself used to say, paraphrasing Derrida—the life of a “guest, host, ghost.”

The exhibition and the publication focus on Niesłuchowski’s homeless years, and feature his email correspondence with close friends, many of whom are remarkable artists and intellectuals in their own right; a number of artworks made about, or in partnership with, Niesłuchowski; and documentation of his travels. The emails are full of erudition, congeniality, and translinguistic twists, but are also marked by the emotional burden of being perpetually on the road. They bear witness to his role as a generous companion to others and to the inheritance of someone who was an ontological nomad by birth and by choice, permanently looking for what he called “an adoption by an imaginary family.”

In some sense, Niesłuchowski inherited his fundamental sense of dislocation. He was born Jerzy, later George or “Jeż,”to Polish parents in 1946 in a displaced persons camp near Munich. Five years later, his family emigrated to the United States, where they found themselves in New Bedford, Massachusetts. In 1968, after being drafted to serve in Vietnam, George deserted the army and fled the country for Paris. There, a lucky encounter with a friendly Englishman named Warren who loaned him his passport meant that he could continue to evade the US government. Before long, George—now Warren, after placing his own photo in the British passport—had joined the legendary Bread and Puppet theater company on their trip to Iran. His drive toward a peripatetic existence was to find its fullest expression in the last 16 years of his life, after he gave up his New York apartment and began to live as a per¬petual guest of friends and acquaintances in North America and Europe.

It should be said that his was not, other than at beginning of his life, a forced migration under the inhuman circumstances that many people on the planet are experiencing today. Niesłuchowski had the privilege of deciding to be “out of place,” to avoid any defined role, and to inhabit the periphery of social norms. His life was one of strategic exile and ontological homelessness in which he felt at home everywhere, and nowhere. The emails, artworks, and essays gathered here offer a complex picture of someone who led a radical, transcultural, and transnational existence in which art and life were no longer distinguishable from one another.

With correspondence and contributions from:

Adam Szymczyk / Agnieszka Taborska and Marcin Giżycki / Alexander Nagel and Amelia Saul / Amanda Trager and Erik Moskowitz / Andre Mirabelli and Jackie Pine / Andrzej Przywara / Barry Curtis and Claire Pajaczkowska / Barry Schwabsky and Carol Szymanski / Bettina Funcke / Bruno Pajaczkowski / Chloe Piene / Cristina Gómez Barrio and Wolfgang Mayer / Dominik Lejman / Elka Krajewska / Hannah Hurtzig / Jeff Preiss / Joan Jonas / Joanna Klass / Joanna Mytkowska / Joanna Warsza / Kasia Korczak and Payam Sharifi / Katarzyna Szotkowska-Beylin / Katy Bentall / Krzysztof Wodiczko / Lisa Blas and Thierry de Duve / Mary Niesłuchowska / Michael Taussig / Milada Ślizińska / Raymond Pettibon / Rebecca Quaytman / Richard Wentworth / Roger Malbert / Seton Smith / Simon Leung / Sina Najafi / Yvette Mattern / Zuzanna Janin

Curated and edited by Joanna Warsza and Sina Najafi

Additional venues:
Foksal Gallery Foundation, Warsaw; December 4, 2020–January 12, 2021
Cabinet, New York; spring 2021

Image: Chloe Piene

The book is co-published by Cabinet and the Museum of Modern Art in Warsaw. The exhibition has been organized by Cabinet in partnership with Foksal Gallery Foundation.


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