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EXHIBITION: CEREMONY (BURIAL OF AN UNDEAD WORLD)

  • Exhibition
  • Oct 23 2022 - Dec 30 2022

We live and survive in the decaying ruins of the modern/colonial world-system: structures of systemic inequality, institutions, border
regimes and subject forms. This undead world and its refusal to die discharge themselves with increasing violence. A burial is needed to
make different futures possible.

Ceremony (Burial of an Undead World) is an exhibition that speaks of continuities among cosmologies and origin myths across space and time, only to upset, against this backdrop, the standard narratives of the modern era and its place in history. Ceremony refers to the writings of Jamaican theorist Sylvia Wynter, to whom the “underside costs” of modernity, from dispossession and slavery to extractivism and climate change, are intimately linked to the “mutations” of Christian cosmology into the secular discourse of modernity.

Ceremony brings together works of various genres and time-periods as well as historical documents with multiple interlocutors. It also includes an extensive program of live events and a publication.

How can modernity, and the developments of global capitalism, be described in the same terms as “other cosmologies”, which are commonly understood as pre-modern belief systems? This publication will republish two seminal texts by Sylvia Wynter, “The Ceremony Must Be Found” (1984) and “The Ceremony Found” (2015), using them as the basis for a discussion of cosmology beyond the modern order of knowledge. Several authors will contribute commentaries upon these two texts exploring the role that origin stories play in conditioning the categories of our thought, as well as our language and perception. The editors are particularly interested in demonstrating how Wynter’s paradigm of a “human ecumene” establishes a counter-universalism capable of unhinging modernist and capitalist modernity. For this, Wynter argues, a ceremony is needed.

Curators: Anselm Franke, Elisa Giuliano, Denise Ryner, Claire Tancons, Zairong Xiang

Exhibition with contributions by Leo Asemota, Shuvinai Ashoona, Richard Bell, Raymond Boisjoly, Gaëlle Choisne, Pauline Curnier Jardin, Alice Creischer and Andreas Siekmann, Mario Cresci, Abraham Cruzvillegas, Mariana Castillo Deball, Stan Douglas, Albrecht Dürer, Léon Ferrari, Jermay Michael Gabriel, Luigi di Gianni, Yervant Gianikian and Angela Ricci Lucchi, Leah Gordon, Nicolás Guillén, Ho Rui An, James T. Hong, Dapper Bruce Lafitte, Carlo Levi, Jane Jin Kaisen, William Kentridge, Will Kwan, Mary Reid Kelley and Patrick Kelley, Titina Maselli, Cecilia Mangini, Guadalupe Maravilla, Peter Minshall, Lemohang Jeremiah Mosese, Ernest Nash, Le Nemesiache, Rachel O’Reilly, István Orosz, Huang Yong Ping, Rosa von Praunheim, Tabita Rezaire, Elza Soares, Karlheinz Stockhausen, Jean-Marie Straub and Danièle Huillet, Kidlat Tahimik, Rosemarie Trockel, Joyce Wieland, Tania Willard, David Wojnarowicz, Xiyadie, Lawrence Paul Yuxweluptun, and many more.

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