THE FUTURE OF CRITIQUE
Congress Pt. II
- Nov 24 2022 - Nov 26 2022
Everyone is a critic today. But where is critique? We are all experts evaluating each other. But from where do we derive our criteria? Today, every theatre, every museum, every scientific institute is expected to mediate and promote its work– while independent mediation, contextualization, and evaluation are disappearing with the general media. But without criticism, there is no public. Without the public, no arts. Without the arts, no democracy.
Just when the monopolies of criticism have been broken and individual perspectives are finally being given broader scope, criticism is experiencing its greatest crisis. This crisis serves as a lens for the congress ‘The Future of Critique’ to focus on fundamental changes in the public sphere, institutions, and society. 90 international guests from the fields of theatre, music, literature, film, architecture, visual arts, and the media will discuss the future of the public sphere at the Akademie der Künste, Berlin and the Bundeskunsthalle in Bonn.
Thursday, 24 November 2022
What are the Means of Criticism? What are the Means of the Arts?
10 am – 4 pm
with Max Linz, Carolin Naujocks, Florian Neuner, Georg Seeßlen, womynofcolors_spacemakers
From 11 am
Guided tours through the Picture Cellar at the Akademie der Künste Pariser Platz
Welcome and introduction
Johanna M. Keller, Eva Kraus, Paloma Nana
Performance: Karin Sander
In höchsten Tönen Ensemble Mosaik
Keynote: Senthuran Varatharajah
Ein Text ist ein Gott in Trümmern
Elke Bippus, Henning Schmidgen
Moderation: Anh-Linh Ngo
Friday, 25 November 2022
Who Gets to Criticise Whom from What Position?
Keynote by Julieta Aranda, John Miller
Broadcasting vs. Criticism: The Ubiquitous Logic of Amplification
Kate Brown, Holger Liebs, Alex Scrimgeour
Moderation: Julia Voss
Spaces and Economies for Criticism
Sabine Scholl, Martin Schüttler, Rüdiger Suchsland
Moderation: María Inés Plaza Lazo
Criticism under Political Pressure
Danson Kahyana, Sara Nabil, Barış Seyitvan
Moderation: Marita Muukkonen, Ivor Stodolsky
Carolin Naujocks/Florian Neuner, womynofcolors_spacemakers, Georg Seeßlen/Max Linz
Feedback: Wolfgang Ullrich, Saba-Nur Cheema
Form vs. Context
Nikita Dhawan, Heinrich Dunst, Yvette Mutumba
Moderation: Klaus Speidel
with Eric D. Clark
Saturday, 26 November 2022
How Has the Role of Criticism Changed?
Statement: Art Criticism as a Language-Game
The Participatory Artwork
Thorsten Michaelsen (Ligna), Hanno Rauterberg
Moderation: Dorte Lena Eilers, Christine Wahl
Snackability, deep Reading and…?
Mara Delius, Berit Glanz, Linn Micklitz, Jutta-Müller Tamm
Moderation: Ulrike Draesner
Sojourn in Language- (Material): Critical Modes of Writing
Ines Geipel, Isabel Mehl, Verena Lueken
Moderation: Beate Söntgen
What Does (Critical) Public Mean Today?
Candice Breitz, Gürsoy Doğtaş, Swantje Karich, Catrin Lorch
Moderation: Kolja Reichert
Resume: New Models
Where’s the public in the Metaverse?
Mat Dryhurst, Niklas Maak, Hito Steyerl
Moderation: Joshua Citarella
In cooperation with the German section of the International Association of Art Critics (AICA), the DFG Research Training Group "Cultures of Criticism" at Leuphana University Lüneburg and the Institute for Art and Visual History at Humboldt University Berlin
Image Courtesy of Cem A. aka @freeze_magazine
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