IN REAL LIFE THERE IS NO REWARD
Review of "Cœurs Simples", a solo show by Agnes Scherer
by Sif Lindblad
Monday / Oct 26 2020
Texts
WOMXN IN MOTION: ON LEARNING, DANCING, ARCHIVING AND SOMETIMES CRYING TOGETHER. AKA, GRAZIE DAFNE.
Stories about collective self-affirmation, working with others and the messiness of research.
by Barbara Casavecchia
Art Institute HGK FHNW
Wednesday / Oct 21 2020
WOMXN IN MOTION: HYENA DAYS
A story about colonial violence and the most dangerous times in human history.
by Mayra A. Rodríguez Castro
Art Institute HGK FHNW
Tuesday / Oct 20 2020
WOMXN IN MOTION: THE 25MIN PERFORMANCE
Erotic sociability and a multitude of senses.
by Isabel Lewis
Basel
Tuesday / Oct 20 2020
WOMXN IN MOTION: MOUTHLESS (PART I AND II)
An audiovisual narrative of pagan rituals, eco-feminism and Baltic and Slavic folk legends.
by Dorota Gawęda and Eglė Kulbokaitė
Tuesday / Oct 20 2020
REVIEW: WOMXN IN MOTION
A brief recount of a nurturing gathering.
by María Inés Plaza Lazo
Basel
Tuesday / Oct 20 2020
INTERVIEW: JANEZ JANŠA
The artist changed his name in 2007, turning himself into the alter-ego of the Sloveninan prime minister. A conversation on crossing the boundaries between breaking fiction and fake news.
by María Inés Plaza Lazo
Graz, Austria
Monday / Oct 12 2020
PRIVILEGE CARVED IN STONE
On the reconstruction of colonial legacy and the safeguarding of living cultures in the Humboldt Forum, Berlin.
by Pablo Santacana Lopez
Berlin
Monday / Oct 12 2020
Durchlässigkeit der Grenzen
Wie beginnt man ein Gespräch über persönliche Grenzen? Wie kann man es führen, ohne die eines anderen Menschen zu verletzen zu kränken oder zu brechen?
by Ira Konyukhova
Friday / Oct 09 2020
REVIEW: PARANOIA TV
Der Steirische Herbst ist dieses Jahr kein Kunstfestival, sondern ein Medienkonzern. Zu Besuch in den von Ekaterina Degot projizierten Parallelwelten.
by Alina Kolar and María Inés Plaza Lazo
Graz
Wednesday / Oct 07 2020
EURASIAN STUFF
Tracing the cultural entanglements of East, West and the in-between.
by People of Accent
Monday / Oct 05 2020
REVIEW: VARIOUS OTHERS
Distinguishing social critique from judgement of taste through an initiative of galleries, institutions and off-spaces in Munich.
by María Inés Plaza Lazo
Munich
Friday / Oct 02 2020
INTERVIEW: SILVIA KOLBOWSKI
The pioneering artist discusses the trajectory of her critical practice, misconceptions of art's social value and how to perform against far-right aesthetics.
by Dennis Brzek
Berlin/New York City
Friday / Oct 02 2020
REVIEW: BOUCHRA KHALILI, THE NORDIC CHAPTER
On the artists' quest to connect the dots between different histories of struggle.
by María Inés Plaza Lazo
Wednesday / Sep 30 2020
NOTIZEN AUS CHEMNITZ: GEGENWARTEN
Eine Ostdeutsche Stadt mit dem Ziel Europäische Kulturhauptstadt 2025 zu werden.
by María Inés Plaza Lazo
Chemnitz
Friday / Sep 25 2020
NOTIZEN AUS BASEL: WARUM IST ES SO SCHWER, DIE KUNST ZU LIEBEN?
Drei Ausstellungen zur existenziellen Fragilität. Aus gegebenem Anlass.
by María Inés Plaza Lazo
Basel
Friday / Sep 25 2020
THINGS MIGHT BREAK (IF YOU WANT THEM TO)
On breaking the monoculture, re-thinking artistic programming and finding the strength in humour.
by Matylda Krzykowski
Berlin
Friday / Sep 25 2020
WELCHES SYSTEM? WELCHE RELEVANZ?
Wie Christian Jankowski das Jahr 2020 als eine Umbruchzeit historisiert.
by María Inés Plaza Lazo
Berlin
Monday / Sep 21 2020
IT'S A SMALL WORLD
The Pink Panther has become a symbol of the COVID-19 pandemic. At least for Simon Fujiwara. The Pink Panther can do everything, can represent everything, because it can’t talk.
by María Inés Plaza Lazo
Berlin
Friday / Sep 18 2020
DER NAZIZOO
Eine Vision. Täglich ab dem 24. September auf Paranoia-tv.com
by INGO NIERMANN
Graz
Friday / Sep 18 2020
SPRICH MIT MIR, GRUNDRECHTE!
Die Grenzen zwischen eigenem Selbst und den anderen werden bei der Künstlerin Anna Witt unter Spannung gesetzt. Oder losgelassen.
by ANNA WITT
Chemnitz
Friday / Sep 18 2020
CÓMO SER ALGUIEN 2020
Revisitando el árbol
by Carla Garlaschi
Wednesday / Sep 16 2020
SITES OF CONVULSION
As an autonomous collaborative platform that fosters critical examination of hospitality and conflict, HEKLER has invited its community members to develop and reflect on sites which have been recently invested with new political and social meanings.
by HEKLER
Monday / Sep 14 2020
BB11 CONVERSATIONS NO. 4
How can artistic practices generate critical instruments that help us coping with failures of living in societies that are focused on individualism, competition and obsession with the abled body?
by Lisette Lagnado & Renata Cervetto
Thursday / Sep 10 2020
BB11 CONVERSATIONS NO. 3
The Biennale curators address the inconsistency of the traditional concept of nuclear family and the violence perpetuated by this supposedly universal familial model.
by María Berríos & Agustín Pérez Rubio
Thursday / Sep 10 2020
BB11 CONVERSATIONS NO. 2
Berrios & Lagnado talk about the entanglements of patriarchy, nationalism and religion in Latin America and the way they affect every pore of our existence, in artistic practice and beyond.
by María Berrios & Lisette Lagnado
Thursday / Sep 10 2020
BB11 CONVERSATIONS NO. 1
“Solidarity goes beyond a concept; it is a practice.”
by Lisette Lagnado & Agustin Pérez Rubio
Thursday / Sep 10 2020
REJECTED DESIGNS FOR THE EUROPEAN FLAG
What do discarded European flags tell us about the present state of the "old continent"?
by Jonas Von Lenthe
Wednesday / Sep 09 2020
MUTUAL AID: AN ILLUMINATED FACTOR OF EVOLUTION
Coming out May 2021.
by David Graeber and Andrej Grubačić
Monday / Sep 07 2020
DAVID GRAEBER (1961-2020)
In loving memory of a friend, comrade, and mentor.
by Andrej Grubačić
Monday / Sep 07 2020