ARTIST PROFILE: OLIVER BEER
by Cristina Ramos
Texts
August
HELLERMANNS SORGEN
Eine Geschichte über die Beziehung zwischen Klängen, Unternehmen und Verbrauchern.
by About the autor
TELEVISED SONG CONTESTS AS BOTH THE MIRROR AND PROJECTOR
The extent on which political desires can be brought into reality through the medium of a song contest.
by Jude Macannuco
OPPORTUNITY FOR CULTURAL WORKERS TO EXPRESS SOLIDARITY AND PROTEST AGAINST MILITARY AGGRESSION AND POLITICAL REPRESSION.
by The European Pavilion
REVIEW: MANIFESTA 14 IN PRISHTINA
Ups and downs, dreams and hopes in a biennial’s quest to create cultural sustainability.
by Seda Yıldız
THE RHYTHMS OF THE PROJECTARIAT
A projectarian breathes in exotic soundscapes of different places, overridden by the all-present pidgin English, and penetrated by global pop culture.
by Kuba Szreder
FROM AURAL OOZE, TO SOCIO-ECOLOGICAL CONSCIOUSNESS
A manifesto.
by APPX: [Appendix.files]
BACK YOUR CITY
Cities, like music genres, always change, and they should change. The question is always the same: how are they changing, and for whose benefit?
by Dan Hancox
ARTIST PROFILE: EMMANUELLE CASTELLAN
by Alina Kolar
LEFTWING PREPPING
A workshop for strategizing alliances between common ecologies, working class and social movements, and enjoyment.
by The Temporary Academy of Arts - PAT, (Elpida Karaba, Despina Zefkili, Yota Ioannidou, Vangelis Vlahos)
THE IN/ACCESSIBLE VOICE
When is voice accessible and when is not?
by The Gray Voice Ensemble & The Anonymous Writing Group