BROWN FACES, WHITE REVIEWS
Against press trips?
by Rahel Aima
Texts
May
PIPELINES OF NATIONALIST CRIMES
Fault lines at the intersection of nationalism and fossil fuels politics.
by George Edwards
If tourism is the capitalist twin of imperial colonialism, where are we heading next?
DEEP WATERS
On the series of LaToya Ruby Frazier “Flint is Family” and “The Last Cruze”.
by Ido Nahari
BRIEF AN DAS BÜRGERAMT
Ein fiktionaler Brief an das Einbürgerungsamt aus der Perspektive einer ukrainischen Person, die schon vor 20 Jahren nach Deutschland immigrierte und sich nun um eine Einbürgerung bemüht.
by Volodymyra Aminova
TO SEE THE WORLD IN THE GRAIN OF SAND
How can artist residencies change our understanding of movement and migration? Jo Vávra puts an artist residency in the Błędowska Desert of Poland into perspective.
by LIOS labs
Have you ever wondered why the conditions of labor in museums, galleries and self-organized spaces are so bad?
IF FYRE ISLAND HAD BEEN AN ARTIST RESIDENCY
A conversation on the colonial logic driving desires of interconnectedness in METASITU's TDCU-1ZZ work.
by Abhijan Toto
UNTIL WHEN WILL WE SPEAK ABOUT GENDER?
Impressions and questions from the 1st European Assembly of Contemporary Art Centres.
by Angeliki Tzortzakaki
OPEN BORDERS OF EDUCATION
What makes an essential institution move? It seems like it is movement itself.
by Piraeus Open School of Immigrants
VERWICKELTE BEZIEHUNGEN
Agnieszka Roguski über „The Joy of Being the Cause“ von Zuzanna Czebatul im M.1 der Arthur Boskamp-Stiftung.
by Agnieszka Roguski
JOURNEY WITH MITSOUKO & MITSUKO
On the performance by Michikazu Matsune.
by Miwa Negoro
Are you tired of having to navigate through scarcity, cultural uncertainties, and decaying environments?