Notes on Cities: Venice

Make AWC Sustainable

Advertise with Us!

The Via Dolorosa of the Falafel

MFA Performance

El Cuarto Rey Mago

Aunque se cuenta que los Reyes Magos fueron bautizados por el apóstol Tomás, estos no eran cristianos cuando aparecieron en Belén, ni tampoco el cuarto Rey Mago; ellos permanecen los migrantes lejanos. Sobre lo humano en esta otra historia de Navidad.

PITCH TO AWC ONLINE

Art for the many, not for the few

NOTES ON CITIES: NEW YORK

On American Identity, Jesus is King, Agnes Denes, the new MoMA, Chelsea, Lunch at Residency Unlimited's, Vija Celmins, Jenny Holzer, Bernie Sanders

Letters from Workers: Has the World Changed or Have I Changed?

Canvassing for Labour in the Marginal Seats around London

SUPER SMASH-UP BROS.

The ritual behind funding contemporary start-ups reflects how poorly we are planning our collective future.

THE VACUUM-CLEANER EFFECT

Art has a larger audience today than ever before, and it is stuck in its most profound crisis. The concentration of buying power in ever-fewer hands is leading to a concentration of power like that once seen in Hollywood. What will art be in the future?

Governing the Chain

Cryptoeconomics and the Questions of Governance for Decentralized Systems

ON FEM-CRUISING

Évidemment, ça va brûler – mais les flammes sont si jolies, dit le bourreau à la sorcière.

The End of Artists

Canaries in the Clouds

Overture: A Thornbill's Tale

A Dinner Table without Food

Being Together is Common Imagination

A Brief History of Art in the Private Sphere

The Catalan Conflict and the White Privilege of the State

Originally published in Catalan for AWC Issue 8, translated to english by the author

Qofte in Disguise

European Others and the Albanian Question

The Bliss of Spam

Ima(ge/in)ing through HOLDs

Omsk Social Club

Interview

The Blockchain Rollercoaster

A Chronology

Brexit

Into the Abyss

Future Climates

Art Faire in 2046

Pensées Hémisphériques

Comment penser les Amériques à partir de l’art latino-américain au Canada & Québec

The Stage of Complaints

Complaining is an informal critique, a release and offer, a naming of truths, an exercise in resilience and a key element of initiating change.

Letter from Freedom X

Caste vs Class?

Farce, Farce, Farce

Primero como discurso, luego como farsa, farsa, farsa… Revisiones a la historia desde el video

Junto a las curadoras de la XI Berlin Biennale

Lisette Lagnado & Renata Cervetto

Fully Automated Postcapitalist Visions

Aminé

Hiphop protegé from Portland, OR speaks on his sound and growing up Black in a predominantly white city