Entre las Curadoras de la XI Berlin Biennale for Contemporary Art

Ein Gespräch zwischen Lisette Lagnado & Agustín Pérez Rubio

Notes on Cities: Venezia II

INTERVIEW WITH LUCA MUSCARÀ February 8TH 2020, Sant’Elena

Notes on the International Film Festival Rotterdam

In late January, the IFFR transforms the Dutch harbour city into a haven for the auteurs from the fringes of cinema.

Let's Talk About Class

Warum wir über „Klasse“ reden müssen. Eine Verteidigung gegen ihre Verächter.

Life Forms vs. Trump

Edited transcript of Timothy Morton's talk "Life Forms vs Trump" at Goldsmiths

SO VIEL NACHT UND SO WENIG SOLIDARITÄT

Eine Stadt und Obdachlosigkeit und ohne Wohnungslosigkeit ist keine Utopie. Immer wieder gab es Gesellschaften, die das Menschenrecht auf Wohnen garantieren konnten. Und nicht umsonst ist das Recht auf Wohnen in der Verfassung des Landes Berlin verankert.

Can Institutions Care about Their Workers?

Members of the New Museum Union try out some answers after a year of hard emotional labour forming a union, on top of their jobs as cultural workers.

'Who Cares' Fragenbogen

Was ist eigentlich gesellschaftliche Selbsthilfe?

Notes on Cities: Venice

Make AWC Sustainable

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The Via Dolorosa of the Falafel

MFA Performance

El Cuarto Rey Mago

Aunque se cuenta que los Reyes Magos fueron bautizados por el apóstol Tomás, estos no eran cristianos cuando aparecieron en Belén, ni tampoco el cuarto Rey Mago; ellos permanecen los migrantes lejanos. Sobre lo humano en esta otra historia de Navidad.

PITCH TO AWC ONLINE

Art for the many, not for the few

NOTES ON NEW YORK

On American Identity, Jesus is King, Agnes Denes, the new MoMA, Chelsea, Lunch at Residency Unlimited's, Vija Celmins, Jenny Holzer, Bernie Sanders

Letters from Workers: Has the World Changed or Have I Changed?

Canvassing for Labour in the Marginal Seats around London

SUPER SMASH-UP BROS.

The ritual behind funding contemporary start-ups reflects how poorly we are planning our collective future.

THE VACUUM-CLEANER EFFECT

Art has a larger audience today than ever before, and it is stuck in its most profound crisis. The concentration of buying power in ever-fewer hands is leading to a concentration of power like that once seen in Hollywood. What will art be in the future?

Governing the Chain

Cryptoeconomics and the Questions of Governance for Decentralized Systems

ON FEM-CRUISING

Évidemment, ça va brûler – mais les flammes sont si jolies, dit le bourreau à la sorcière.

The End of Artists

Canaries in the Clouds

Overture: A Thornbill's Tale

A Dinner Table without Food

Being Together is Common Imagination

A Brief History of Art in the Private Sphere

The Catalan Conflict and the White Privilege of the State

Originally published in Catalan for AWC Issue 8, translated to english by the author

Qofte in Disguise

European Others and the Albanian Question

The Bliss of Spam

Ima(ge/in)ing through HOLDs

Omsk Social Club

Interview

The Blockchain Rollercoaster

A Chronology

Brexit

Into the Abyss