DO MUSEUMS NOT PRACTICE WHAT THEY PREACH?

An interview with Bart van der Heide on exhibitions as structures of care and power and the framing of the inauguration of Kingdom of the Ill, the second chapter of TECHNO HUMANITIES, at Museion, Bolzano, Italy.

THEATER OF HOPES AND EXPECTATIONS

NOTES ON ISTANBUL: COMPOST AS AN ALIBI

Silent ways to regenerate art’s role on the soils of a repressive, yet hopeful megalocity, by example of its 17th Biennial, shows at Sanatorium and Protocinema, a.o.

NOTES ON VIENNA: REFLECTING ON ITS FACADES AND THE WORKERS WITHIN

Through the halls of the city, art fairs, galleries, and the social housing system.

CURRENTS 2022

An amalgam of live contemporary art and electronic music, presenting a mix of internationally acclaimed artists intertwined with emerging acts.

EVERYTHING VIBRATES, EVEN NOW

An experience of the sonic-poetic fabric of the short documentary NO! NO! NO!, Mykola Ridnyi's generational story from Kharkiv.

GIORGIA MELONI IST KEIN MUSSOLINI. DOCH SIE KÖNNTE EIN TRUMP SEIN

Nichts ist nostalgisch am rechtsextremen Raum, den die Anführerin des Landes in Europa zu gestalten versucht.

SIAMO ILLEGALI E DISOBBEDIRE È LA NOSTRA FORMA DI CURA

Per coloro i quali non sono rappresentati dal nuovo governo italiano e da questa condizione vedono una possibilità.

EXHIBITION: CEREMONY (BURIAL OF AN UNDEAD WORLD)

EXHIBITION: TO BE SEEN. QUEER LIVES 19OO–195O

A SURFACE DEEPER THAN THE SKIN: IRANIAN WOMEN AMID A FEMINIST REVOLUTION OF THEIR OWN

A rewriting of Iranian history centered on the social status of women can further unchain Iranian people from their current situation and bring about a better articulation of the necessary changes and their speedier realization.

DAS SCHICKSAL DES KÜNSTLERS AM ENDE DER KOSMOLOGIE DES KAPITALISMUS

Ein Essay über die Documenta 15, Künstler*innenkult, Vorhersagen, Fragen und kollektive Visionen zur Kunst am Ende der Welt.

MUTUALITY, NOT CHARITY, WILL SAVE US

An evening program by Arts of the Working Class and Atelier Gardens.

KINGDOM OF THE ILL

The second installment of TECHNO HUMANITIES, opens a discussion on perceptions and understandings of health and illness.

COMMON OVER VACANT, METADATA

Excerpts from the project Gemeingut statt Leerstand in cooperation with Stadtbodenstiftung, supported by The Berliner Projektfonds Urbane Praxis.

THE DISOBEDIENCE ARCHIVE

Interview with the curator Marco Scotini in the frame of the Istanbul Biennial.

ANNA UDDENBERG: FAKE-ESTATE

Solo Show.

Whose Decline is it Anyway?

On Royal Death and Coby Sey.

AWC MEETING POINT

Independent Publishing Bar and Music Performances at Berlin Questions.

JON RAFMAN: Ɛցɾҽցօɾҽʂ & GRIMOIRES

Solo Show.

PAUL KOLLING: STRUKTURVERSAGEN

Solo Show.

OTHER MINDS – THE LIMITS OF HUMAN CONSCIOUSNESS

Screen City Biennial presents a program with internationally renowned artists and new commissions.

FLEXPLOITATION: ON PRECARIZATION AND RESISTANCE IN PLATFORM CAPITALISM

A sculptural installation and literary event series.

ÜBER BRÜCKEN – BRIDGING #1

TERMINAR PARA COMEÇAR

Há certos conceitos que são a formalização de uma tragédia.

JONATHAS DE ANDRADE

For and against whom do we stage resistance?

WIESBADEN BIENNALE 2022

International arts festival.

BERLIN ART WEEK

PONTO D'ORVALHO

A transdisciplinary festival open to environmental discussion and action through artistic, social and ecological interventions.

WEAPONS OF CHOICE

What if flags did not represent a nation, but communities of neighbors?

SHOULD WE SURVIVE AS WE ARE?

A conversation with iLiana Fokianaki on her curatorial proposal for Survival Kit 13.

ICH HABE KNAST: FARKHONDEH SHAHROUDI

Social art interventions at Spittelmarkt as part of the series Speaking to Ancestors 2022/2023.

VIENNACONTEMPORARY

International Art Fair.

CROSSINGS OF BLISS AND SWEAT

The 5th Crossings Festival in Belmonte Calabro.

SURVIVAL KIT 13

The little bird must be caught.

ENTREVISTA: GIRO GRÁFICO – COMO EN EL MURO LA HIEDRA

Una conversación con Ana Longoni sobre el duelo como territorio político y las políticas de curaduría inclusiva que introdujo en el Reina Sofía, Madrid.