ARTIST PROFILE: TONY COKES
On how Tony Cokes rewrites history as a remix of fakes, lives and songs to dance to at Haus der Kunst and Kunstverein Munich.
by María Inés Plaza Lazo
June
AN ODE TO WORKERS AND (NON)CITIZENS
Wilfrid Almendra’s Adelaïde at Fraeme and the FRAC Provence-Alpes-Côte d’Azur.
by María Inés Plaza Lazo
"L'HISTOIRE N'ATTEND QUE PUTIN" [1]
Tracing the many connections between the "best amusement park in the world" and the Russian occupation of Crimea.
by Pablo Santacana Lopez
DRINKS! GOSSIP! SABOTAGE!
Speculative Communities Book Launch.
Berlin / KW Institute for Contemporary Art
How to react to the recurring manipulative complicity of historical colonialism?
EXHIBITION: MIRIAM CAHN - MEINEJUDEN
Siegen / MGK - Museum für Gegenwartskunst Siegen
WE WILL NEVER DECOLONIZE OURSELVES WITHOUT INCLUDING ANTISEMITISM IN THE CONVERSATION
Contributing to an on-going discussion for a necessary non-patronizing critique of documenta fifteen, with propositions for a transformative art institution making.
by Amelie Jakubek, Alina Kolar, Dalia Maini, Ido Nahari, María Inés Plaza Lazo, Paweł Sochacki
ANTISEMITISM IS THE LEAST OF DOCUMENTA FIFTEEN’S PROBLEMS
Let's be fucking honest.
by Mohammad Salemy
REVIEW: PLACE TO SPARE
How Movement shapes the Politics in Esch-Belval.
by Ido Nahari
FESTIVAL: CREAMCAKE 10/11
The evolving club night and interdisciplinary event platform marks its ten-or-eleven years as a vital and inclusive alternative to the city’s four-to-the-floor status quo.
ESSAY: YOU ONLY THINK I LOVE YOU LONG TIME
The Cold War, Thailand and the construction of the Gendered Tourist Gaze.
by Rosalia Namsai Engchuan
ARTIST PROFILE: IRENE DE ANDRÉS
by Daniela Labra
MARKET: SOULS FOR MUSIC
A festival for street music and rhythm of crowds attuned with solidarity.
Berlin / Atelier Gardens (BUFA)
REVIEW: PERSONES PERSONS
Moments of significant shifts in a safe place like the Biennale Gherdëina.
by María Inés Plaza Lazo
ESSAY: TRAVERSER LES LIMBES
Itinéraires entre Bordeaux et Rio.
by Élise Girardot
EXHIBITION: CROSSING AN EMPTY BEACH TO LOOK AT THE OCEAN
Bremen / GAK Gesellschaft für Aktuelle Kunst e.V.
POEMS: ON INDIGENEITY, QUEERNESS AND MEMORIES
From “How to Make a Basket”.
by Jazz Money
TEMPLE OF ALTERNATIVE HISTORIES
A transdisciplinary collaboration between visual art, stage art, scientists, and the wider community.
Kassel / STAATSTHEATER KASSEL
INTERVIEW: PLACES OF POSSIBILITY
A conversation about the (in)visibility of history in public space.
by Devin Kenny and Pia-Marie Remmers
CONTEXT IS EVERYTHING, EXCEPT WHEN IT COMES TO GERMANY
Does the upcoming Documenta exhibition in Kassel promote anti-Semitic tendencies in art?
by Hito Steyerl
COLUMN: THINGS MIGHT
Give color to circumstances.
by Matylda Krzykowski
GALPÃO BELA MARÉ: TRAVESSIAS E SEDIMENTAÇÕES
Jean Carlos Azuos, Curador do Galpão Bela Maré, na favela Nova Holanda, Rio de Janeiro, faz um depoimento sobre o centro cultural fundado em 2011 - e hoje modelo de instituição artística fora das rotas hegemônicas na cidade.
by Jean Carlos Azuos
DARK TOURISM AND THE COMMODIFICATION OF HISTORICAL CATASTROPHES
How do we deal with this memoricide?
by Filipe Lippe
OLD WORLD’S REPRESENTATIONS AT LA ROCHELLE’S MUSEUM OF THE NEW WORLD
How can a museum of the colonizer project imagine futures that can heal the marks of the brutal colonial history it wishes to narrate?
by Daniela Labra
URBAN STRUGGLES OVER A SCHOOLYARD
An Interview with Anna Regàs, the school principal of Escola Sant Felip Neri in Barcelona.
by Marta Torres Ruiz
May
BERLINER KORRESPONDENZEN: BREAK-UP, EPISODE #5
How do you stay strong when you are far away while your home is falling to pieces?
Berlin / Maxim Gorki Theatre
IF IT'S CALLED THE TOURIST SEASON, WHY CAN'T WE HUNT THEM?[1]
by Sara Garzon (Collective Rewilding)
US HORIZON
On Jac Leirner.
by Daniela Labra
CALL FOR SOUNDS, CRAFTS, FOODS AND ARTS
Souls for Music Market.
by AWC Team
REVIEW: UP AND DOWN - BECLOUDED AT THE TALLINN PRINT TRIENNALE
When the repetition of history is our rough state.
by Dalia Maini
Военное положение / WAR IN AN ESSAY
В какой момент началось военное время для искусства?
by Ira Konyukhova
AROUND THE WORLD IN 80 PAGES
Anniversary launch Issue 21.
Berlin / a.p.
LANGUAGE DYSPHORIA
Trauma and the reprogramming of mother tongue.
by Volodymyra Aminova
If history is like smoke - can we read the signs?
IF YOU ARE ALIVE NOW WE ARE ON THE SAME JOURNEY
on Michikazu Matsune.
by Alina Kolar