PIPELINES OF NATIONALIST CRIMES
Fault lines at the intersection of nationalism and fossil fuels politics.
by George Edwards
If tourism is the capitalist twin of imperial colonialism, where are we heading next?
DEEP WATERS
On the series of LaToya Ruby Frazier “Flint is Family” and “The Last Cruze”.
by Ido Nahari
THOSE THAT SLIP AMONG MOLECULES
Solo show by Kim Bode.
Berlin / Galerie im Turm
LABORATOIRE KONTEMPO
Program Kinzonzi & Miziki.
Berlin / ACUD MACHT NEU
UN:IMAGINABLE - OUR HISTORIES IN CONVERSATION
A musical documentary performance on the soundtracks of war.
Berlin / OYOUN
BRIEF AN DAS BÜRGERAMT
Ein fiktionaler Brief an das Einbürgerungsamt aus der Perspektive einer ukrainischen Person, die schon vor 20 Jahren nach Deutschland immigrierte und sich nun um eine Einbürgerung bemüht.
by Volodymyra Aminova
TO SEE THE WORLD IN THE GRAIN OF SAND
How can artist residencies change our understanding of movement and migration? Jo Vávra puts an artist residency in the Błędowska Desert of Poland into perspective.
by LIOS labs
Have you ever wondered why the conditions of labor in museums, galleries and self-organized spaces are so bad?
IF FYRE ISLAND HAD BEEN AN ARTIST RESIDENCY
A conversation on the colonial logic driving desires of interconnectedness in METASITU's TDCU-1ZZ work.
by Abhijan Toto
UNTIL WHEN WILL WE SPEAK ABOUT GENDER?
Impressions and questions from the 1st European Assembly of Contemporary Art Centres.
by Angeliki Tzortzakaki
OPEN BORDERS OF EDUCATION
What makes an essential institution move? It seems like it is movement itself.
by Piraeus Open School of Immigrants
VERWICKELTE BEZIEHUNGEN
Agnieszka Roguski über „The Joy of Being the Cause“ von Zuzanna Czebatul im M.1 der Arthur Boskamp-Stiftung.
by Agnieszka Roguski
JOURNEY WITH MITSOUKO & MITSUKO
On the performance by Michikazu Matsune.
by Miwa Negoro
Are you tired of having to navigate through scarcity, cultural uncertainties, and decaying environments?
SOULS FOR LABOR
A market for workers, mothers, children and mistresses.
Berlin / Atelier Gardens (BUFA)
April
THE LABOUR OF THE IMAGINATION ISN’T SELF-EVIDENT AND THAT CAN BE SELF-EXPLOITATIVE
The end of capitalism has not arrived yet: what you will read is an update on what we stand for.
by AWC Team
THE AWARD OF THE PEOPLE’S TRUST GOES TO…
Calling out the housing crisis in Berlin during the Will Grohmann Prize awards.
by Zoë Claire Miller
DEAR POPE. L,
Questions on artistic appetite, intervening in the public space and good taste.
by María Inés Plaza Lazo & Ido Nahari
WEARING WORLDS
살림의 옷.
by Yoonha Kim
THE WORLD IS ROUND AND PEOPLE MEET IN THE CORNERS
On how the conference and exhibition The Whole Life: Archives & Reality at HKW provided a contradictory experience.
by Elena Vogman and Joshua Simon
IN THE BLINK OF AN EYE, EVERYONE UNDERSTOOD
On Carrie Mae Weems. The Evidence of Things Not Seen at Württembergischer Kunstverein.
by Claire Koron Elat
IL GAZZETTINO
An Ode to the Kiosk.
Venice / IL GAZZETTINO
DEGROWTH
Manifest einer Modefotografin.
by Anna Rosa Krau
FORM DER UNRUHE / FORMA DO DESASSOSSEGO
German-Brazilian exhibition that focuses on the idea of migration between the two countries and the ambivalent relationship between Europe and South America.
Hamburg / Raum linksrechts
FORECAST FESTIVAL 6
Zukunft ist Freiheit.
Berlin / Radialsystem
PORTRAIT OF THE ARTIST AS AN ENIGMA
On Parables of Friendship, David Medalla’s first in-depth retrospective at the Bonner Kunstverein & Museion, Bolzano.
by María Inés Plaza Lazo
DAVID MEDALLA: PARABLES OF FRIENDSHIP
The first major international exhibition dedicated to the work of the Filipino artist, poet and activist.
Bolzano / Museion
