The Test of Infrastructural Critique:

26 questions on Abolition and Organization

Reading Marina Vishmidt in Beirut

A conversation that did not happen yet had happened long ago

A Minor Form of Life

An interview with Dipesh Chakrabarty

Carta desde la Pequeñísima Edad de Hielo

From the series "Letters from Workers".

Munich Learns How to Speak About Itself

Various Others 2026 brings renewed attention to contemporary art in the city.

Notes Toward A Plural Canon

On Koyo Kouoh’s 61st Venice Biennale, “In Minor Keys”

Circuit of Enthusiasm and Exploitation

A case study on Para-Institutional Labour

Scrivere come l’AI

Sull’esaurimento del linguaggio nei Large Language Models

Infiltrated Semblance

On Daniel Hopp's „Fictional Healing“, at Kunsthaus Hamburg

The Doors are Open

A conversation with Minor Attractions’ co-founder and Director Jacob Barnes and Director and Program Curator Sophie Barrett-Pouleau, on “Summer Sessions„, a new multi-venue festival highlighting music, performance, publishing, and film.

Sacrifice of the Land, Sacrifice of the Body

Living through Energy Transition in North Bohemia

Noise on the Gaps

On how noise and infrastructural critique can crack the fascist body and the phantom subject.

Take a visual tour

Thoughts and images for Marina Vishmidt

Beign moved

On the infrastructures of denial

The Institution as Medium

A conversation on the making of art dependencies in the age of rising authoritarianism and extractive regimes

Bodies in space, again.

On the political economy of what we ingest

Figures of Entropy as Anchors of Value

Glossary

Infrastructural Critique after Marina Vishmidt

We are here and we are in it.

A note on how theory moves, and what it leaves behind

Soft and Hard Frictions

We won’t tell you what to see during the upcoming 61st International Art Exhibition of La Biennale di Venezia, In Minor Keys by Koyo Kouoh, what matters here is how to see.

Abolition and Organization

On Marina Vishmidt’s Infrastructural Critique

Music Becomes a Bridge Between Body and World

A conversation with Hans Ulrich Obrist and Ben Vickers on Hildegard of Bingen, sound as knowledge, and their exhibition “The Ear is the Eye of the Soul”.

No More Masterpieces, Please

A conversation with Massimiliano Gioni on „New Humans: Memories of the Future“ and curating in an age of machines, myths, and reproduction.

Tawna & Oscar

Pavilion of Ecuador at the 61st International Art Exhibition – La Biennale di Venezia

Flames to Dust

On what survives the collapse of the liberal order

How to Host an Institution

A conversation with Isabel Lewis and Rio Rutzinger inside the shifting choreography of Tanzquartier Wien.