Legal, Extralegal, I am Somehow

Arts of the Working Class is a multilingual publishing program at the intersection of art, society, poverty and wealth. Sold on the streets, vendors keep 100% of the revenues.

The Languages We Don’t Yet Have

Havîn Al-Sîndy, Céline Semaan, and Payam Sharifi in conversation with Hanno Hauenstein on translation, embodied memory, and the power to name experience.

Latest Contributions

825 contributions

The Languages We Don’t Yet Have

Havîn Al-Sîndy, Céline Semaan, and Payam Sharifi in conversation with Hanno Hauenstein on translation, embodied memory, and the power to name experience.

Commentary

Care Work is Grief Work

As part of the ‘Climate Forum III. Poetics and Operations’, a consideration of the entangled relationship between grief and ‘volume’.

Q&As

The promise and the necessity of Intercommunalism

On the legacy of Black Panther leader Huey P. Newton, on state repression then and now, and on what it means to keep the work of remembering alive.

Critique

Racist by Design

Institutions present themselves as neutral. Will Fredo Furtado's book proposal aim to show how they harm racialized people by design.

Art

Image Politics of Touching, Observing, and Recording

A dialogue on positionality, embodied technology, and reparative storytelling in the frame of the exhibition "Synthesizing Realities" at ifa-Galerie Stuttgart.

Art

The Syntax is More Important than the Vocabulary

During the Barcelona Gallery Weekend, looking at art becomes an open negotiation of who is seen, what gets saved, and how much it costs to belong to the scene.