The Phantom Archive: from PAD/D’s socially engaged and activist art in the 1980s to the "Radical Unpresent" of 2026 A conversation with Gregory Sholette. by Amelie Jakubek
ccc (cultivating collateral compositions) A performative piece from the Live Works Summit at Centrale Fies. by Angeliki Tzortzakaki
TAWNA Una conversación sobre la creación comunitaria, los sueños como método cinematográfico, la defensa de los territorios amazónicos y las contradicciones de ocupar las instituciones internacionales del arte sin renunciar a una anticolonialidad profunda. by María Inés Plaza Lazo
What's Left Unseen, We Must Point Out A review of “What Knots Knot Knots”, a three-venue exhibition across the Northern Netherlands. by Dalia Maini
Sous le même soleil À Montréal, la ville s’organise encore selon les classes–son ombre aussi. by Laura Langenais
If access is just for access' sake, I'm not interested. A conversation with Ren Loren Britton on “Deixis & Needs”. by Alina Kolar
Letter Con cada punto, una historia que no se olvida Testimonio de Inés Condori, líder en aquel momento de la Asociación de Mujeres Afectadas por las Esterilizaciones Forzadas de Chumbivilcas, Cusco. by Inés Condori
No Regrets A conversation with Dione Roach mapping Jail Time Records' internal processes. by Dalia Maini
The Kyiv Biennial at KW, Berlin Amid overlapping global crises, this nomadic project seeks shared understanding across borders and conflicts — a difficult task, and harder still amid funding cuts targeting cultural activities that dissent from the German government. by Jonas Sanden
Review Memory is the Landscape a Biennial Lives In Sonsbeek 2026 continues to turn a century-old park into a place where deep time and the urgency of the present meet. by María Inés Plaza Lazo
Transformative Justice A glossary not of definitions, but orientation, heatmaps of a terrain. by Brunilda Pali and Jesse Laurie
Announcing the Transitional Justice with Artists Fellows Selected from 364 applications from 34 countries, these practitioners are recognized for their long-term work addressing legacies of injustice and violence. by AWC Team
After the Opening Gabi Ngcobo on chairs, changing rhythms, and the social life of contemporary art. by María Inés Plaza Lazo
Review We Are All Politicized, But We Are All Individuals On Anton Jäger's Hyperpolitics: Extreme Politicization without Political Consequences. by Dalia Maini
Expanded Tempos A correspondence from 30 hours of listening at Berlin Atonal and Unsound’s “The Infinite Now”. by Chiara Pagano and Federica Nicastro
Profile Listening Through Noise Steffani Jemison reflects on soundscapes, bird language, and the politics of perception in “Augur”, her first institutional exhibition in Germany, at the Westfälischer Kunstverein, Münster. by María Inés Plaza Lazo
Essay Circulation in the Age of AI Models Arts of the Working Class as a redistribution model for art, wealth, and political imagination; as an editorial platform; and as a political practice shaping labor, memory, and historical time. by María Inés Plaza Lazo
Review Someone's junk is someone else's treasure beim Zurich Art Weekend Wie Geschenke zu Waren, Waren zu Erinnerungen und Erinnerungen zu Kunstwerke werden. by Octavia Abril
